@proceedings {2564,
	title = {For Jean-Claude: [re]Presenting Duet for One Pianist},
	journal = {International Computer Music Conference},
	year = {2009},
	month = {08/2009},
	address = {Montreal, Canada},
	abstract = {<p>\&nbsp;In 1989, composer and researcher Jean-Claude Risset{\textquoteright}s\&nbsp;series of  interactive sketches for piano and Disklavier\&nbsp;entitled Duet for One  Pianist explored the performative\&nbsp;possibilities made available to  pianists through the\&nbsp;augmentation of emotive human musical gesture with  the\&nbsp;precise reactive and computational capabilities afforded  by\&nbsp;computer-based musical systems. As computer and\&nbsp;musical software  systems have evolved, the Max software\&nbsp;patches created by Risset and  researcher Scott Van-Duyne\&nbsp;at the MIT Media Lab have been updated and  maintained\&nbsp;to allow the pieces to be performed using  contemporary\&nbsp;hardware and software systems. In distinct  contrast,\&nbsp;Risset{\textquoteright}s original hand-notated musical score for the work  -\&nbsp;representing performance notation for the human pianist\&nbsp;alongside a  varying level of detail representing the\&nbsp;computer\&rsquo;s response, itself an  integral part in the work -\&nbsp;remains the authoritative representation  available to\&nbsp;performers, researchers and archivists alike. This  paper\&nbsp;outlines ongoing efforts towards the augmentation of\&nbsp;Risset{\textquoteright}s  existing score through the production of a\&nbsp;comprehensive multi-voiced  notated score edition of Duet\&nbsp;for One Pianist, as well as symbolic and  data\&nbsp;representations for each of the eight works derived from\&nbsp;live  performance data, and a complimentary and complete\&nbsp;series of audio and  visual recordings of Duet by pianist\&nbsp;Chryssie Nanou.</p>},
	author = {Rob Hamilton and Chryssie Nanou}
}
